Bright and Tiny Lights
Waving a butane lighter like a wand, Lee Rhodes lights another round of votive candles at her Greenlake glassblowing studio. Each votive sits inside a chubby glass goblet called a Glassybaby. The goblets are arrayed before us on a pine table; we’re lighting them just to gauge the full effect of their glow. Rhodes illuminates one after another until the table is completely covered with glowing orbs of color.
It’s mesmerizing. Handblown in Rhodes’s 4,000-square-foot studio, Glassybaby is available in more than 53 different shades: a deep saturated orange, a pale cerulean blue, a sugary lemon yellow, and greens to match every plant in your garden. Made of three layers of glass, each vessel has a solid, substantial weight. It’s tempting to pick one up and run your fingers over its cool, smooth surface. “You’ve got to light every one of them, because you never know which you’ll end up liking most,” Rhodes says. And so we do.
In a world of vanilla-scented candles and a dizzying assortment of votives and candleholders in which to put them, it’s refreshing to step into the Glassybaby studio. Rows of the simple glass vessels, arranged artfully by color, line the shelves of a white-pine display hutch. Big glass windows overlook the “hot shop” below, where Rhodes’s crew of artisan glassblowers fire about 90 Glassybaby a day. Pearl Jam pounds on the sound system, making the brick-floored studio (the old Vitamilk building) feel as much like a cool place to hang out as an exciting place to shop.